ORCID iD iconorcid.org/0000-0001-7077-4325



Review: The Arthur Tress Photograph Collection: A Stanford Libraries Special Collections Exhibition.

ArLiS/NA Multimedia & Technology Reviews, April 2020.


Roundtable: Should library workers learn to code?

With Ruth Tillman, Alan Harnum, Danielle Robichaud, and Brad Houston. Partnership: The Canadian Journal of Library and Information Practice and Research 12(2).


Review: Photogrammar.

Society of American Archivists Reviews, November 2017.


Review: Preserving Our Heritage: Perspectives from Antiquity to the Digital Age.

Reference and User Services Quarterly 55(2).

Review: Looking Jewish: Visual Culture and Modern Diaspora.

ArLiS/NA Reviews, November 2015.


Review: A Violent Embrace: Art and Aesthetics After Representation

ArLiS/NA Reviews, September 2014.

Review: Returning to Reims.

ALA GLBT Round Table Reviews, August 2014.

Review: Digital Art History: A Subject in Transition

HASTAC Digital History Group, June 2014.

Review: Chronicling the West for Harper’s: Coast to Coast with Frenzeny & Tavernier in 1873-1874.

ArLiS/NA Reviews, March-April 2014.


Review: Mariana Griswold Van Rensselaer: A Landscape Critic in the Gilded Age

ArLiS/NA Reviews, September-October 2013.



You’ve Heard the Jargon, Now Play the Game: Linked Data on Your Laptop.

“Deep Dive” workshop organized by Jean M. Pajerek, co-taught at American Association of Law Libraries annual conference, Austin, TX.


Moving the Needle: Advancing the Profession through Publishing.

Lightning round talk organized by Shannon Robinson, Art Libraries Society of North America annual conference, Fort Worth, TX.


Creativity, Discovery, and Research in the Library: Supporting “Screwing Around”.

Invited talk at ProQuest Day: Transforming Libraries, Transforming Research, American Library Association annual conference, Las Vegas, NV.

Digital Scholarship and the Institutional Repository: Insights from the Fine Arts.

Paper co-presented with Courtney Baron at Data Driven: Digital Humanities in the Library, Charleston, SC.

Gender and Sexuality in the Visual Arts: A Bibliographic Experiment.

Poster session at Art Libraries Society of North America annual conference, Washington, DC.

Describing Difference: Transparency, Methodology, and Diversity in Organizing Information.

Roundtable discussion chaired at Mid-Atlantic Regional Archives Conference, Rochester, NY.


“Housecleaning Day”: The Uses of Photography in Interpreting the San Francisco Earthquake and Fire of 1906.

Paper presented at Making Space/Créer l’espace: A Graduate Conference on the Shifting Concept of Space in Studies of Art and Visual Culture. Concordia University, Montréal, QC.


Lux vivens: Hildegard von Bingen and the Medieval Imaging of God as Light.

Paper presented at Women’s History Month Research Panel, Gonzaga University, Spokane, WA, and the American Academy of Religion – Society for Biblical Literature Northwest Regional Joint Meeting, George Fox University, Newberg, OR.

“That First Terrible Impression”: The Role of Photography in Interpreting the San Francisco Earthquake and Fire of 1906.

Paper presented at the Phi Alpha Theta Pacific Northwest Regional Conference. Gonzaga University, Spokane, WA.

Selected Projects


Metadata scheme for Marie Laurencin Digital Collection.

Complete documentation of a local metadata schema for a hypothetical digital multimedia collection on artist Marie Laurencin. Includes sample records and application profile table with mapping to Dublin Core and MODS. Capstone project for LIS 2407, Metadata.

Permissions Culture and Fair Use in the Visual Arts | (References).

Poster created for LIS 2184, Legal Issues in Information Handling.

Offsite Repository Models.

Web archive created in the Efficiencies and Expenses working group, LIS 2674, Preserving Digital Culture.

Dear Pittsburgh.

Video on digital obsolescence created for LIS 2674, Preserving Digital Culture.


Visualizing Library Collections: Lessons and Challenges from the Artists’ Book Collection, Frick Fine Arts Library, University of Pittsburgh.

Capstone project for LIS 2975, Digital Scholarship.


A Dynamic Presence: Women Artists at The Jewish Museum, New York, 1947-2010 | (Essay) | (Database).

A summary of my work as a graduate curatorial intern at The Jewish Museum on the exhibition Shifting the Gaze: Painting and Feminism (September 12, 2010 - January 30, 2011), a College Art Association Committee on Women in the Arts pick for “the best in feminist art and scholarship.”